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Michael
Henderson |
Over
many years the biggest source of resentment in Germany towards Britain
could be encapsulated in the one word – Dresden. On 13-14 February 1945,
less than three months before the ending of the war in Europe, one of its
most beautiful baroque cities was destroyed by British and American bombers
when they dropped 4,500 tons of explosives, creating a firestorm,
devastating eight square miles of the city and killing at least 35 to
40,000 men, women and children.
In October this year (2006) the Duke of Kent dedicated a British
German Friendship Garden in Britain’s National Memorial Arboretum, in
honour of all who died in World War II raids. A plaque states, ‘Just as the
city of Dresden has risen from the ashes of the firestorm which engulfed
it, so have the respect that traditionally characterised British German
relations been reborn. Henceforth may all difficulties between the two
countries be resolved with patience and understanding, may their sorrows be
shared and their joys celebrated together. In the beauty of nature as in
the presence of God, we are all one.’
In a remarkable way Dresden is, through honesty, apology and
compassion, becoming in this way a focal point of reconciliation between
the two countries. The bombing had always been an embarrassment to the
British, as the London Times pointed out in February 1995 on the 50th
anniversary of the raids, but added that ‘it was being transmogrified into
friendship and reconciliation and revitalized understanding of an older,
worthier and culturally rich Germany’
Dresdener
Frauenkirche:
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The
"Frauenkirche" (Church of our Lady) was built 1726-43 by George Bähr.
The Church has a quadratic ground plan and a circular interior.
One day after the fire-bombing
of Dresden, on Feb. 13th 1945, the church, which was made from
sandstone, collapsed because of the heat around it. The heap of ruins
was conserved as memorial to the destruction of Dresden in World War II
within the inner city for many years.
After the reunification of
Germany finally the long intended reconstruction was begun, a project
of an estimated 130 million Euro, mainly financed through donations
from all over the world. It is one of the most beautiful examples of
international solidarity with the sorely tried city.
The darker stones in the
picture are originals from the ruins. |
Picture
and description referenced from
Sights and Culture of our World |
Physical expression of this transformation is the Frauenkirche. Following
the collapse of the Berlin Wall Dresdeners launched a call for help
in rebuilding the church. One of the many in Britain who felt strongly that
a positive response from Britain was called for was Alan Russell. He grew
up during World War II and was proud of what the RAF did to achieve
victory. Soon after the war he did military service in the British zone of
Germany. Whilst there a German student friend had acknowledged to him that
the persecution of the Jews had been a great wrong but had added, ‘What
about Dresden?’
At the time Russell had no answer. But as he read the first of
what was to become a number of well-researched books on the subject, he
found himself forced to confront the uncomfortable truth that, as one
distinguished reviewer put it, ‘something not quite worthy of Britain’ had
taken place. Whilst he felt it entirely right to honour the bravery and
commitment of the more than 50,000 British Bomber Command crewmen who had
sacrificed their lives in the war, he felt that the victims, too, deserved
a memorial since innocence, dignity and the sacredness of life itself know
no frontiers. It wasn’t wrong to bomb Dresden, he believes, since the outer
reaches of the City contained both war industries and military
installations but the manner in which it was done, focusing on the historic
inner City, was highly questionable. He felt that some sign of atonement
and regret for the bombing should be given and that the British public
should be given the opportunity to look at Britain’s moral record; ‘Nations
must be able to look critically at what has been done in their names in
order to have the right to examine what other countries have done.’
He worked with others to set up a Trust for Dresden (in 1993) to
help raise money in Britain for the restoration of the church. He wrote in
a Dresden magazine in February 2002, ‘The statement of St Matthew about
‘the splinter and the moat’ remains appropriate. It is for all members of
the Trust a a challenge to liberate the British and the Germans from the
common nightmare of self-righteousness.’
The Trust’s found a ready response round the
country and over the following years it raised around £1 million. When in
the autumn of 1994, it was invited to undertake the making of the new
nine-metre-high baroque Orb and Cross which was to stand on the pinnacle of
the dome of the Frauenkirche, it enthusiastically made this the centrepiece
of its actions. By a remarkable coincidence Alan Smith, head of
Silversmiths Grant Macdonald’s team of skilled workers was the son of one
of the airmen who had bombed Dresden, who saw his work as not only a
technical challenge but as a deep spiritual fulfilment.
In February 1995, at ceremonies marking the 50th
anniversary of Dresden’s destruction, the Duke of presented a drawing of
the Orb and Cross and said, ‘We want this Cross to be a symbol of the
reconciliation between Britain and Germany. We do this in remembrance of
those who died in Dresden in February 1945, and in the conviction that
there will forever be peace between our two peoples. We deeply regret the
suffering on all side in the war.’
The Times commented, ‘There could be no more fitting
gesture. Some Germans may interpret the present as a discreet apology. All
can agree that it is a sincere act of reconciliation.’
In June 2004 the Orb and Cross were lifted into place before a
crowd of 60,000 people. In October 2005 the Frauenkirche was reconsecrated
and the Trust handed over a symbolic gift of Communion Silver Plate. To
carry the message further the Trust has published books, given scholarships
for young people from Dresden and Saxony to attend schools in England and
for young Britons to visit Saxony, arranged for German choirs to sing in
Britain, and taken the London Bach Choir to Dresden to give two concerts in
the Frauenkirche itself. Thirteen years after the beginning, Russell says,
‘The hand of friendship which the Trust sought to extend was immediately,
warmly and firmly grasped and the feelings of deep sorrow and remorse to
which the Trust sought to give voice have been reciprocated in more than
full measure.’
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Michael Henderson is the author of
Forgiveness:
Breaking the Chain of Hate |
Articles Archive of
Michael Henderson
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